Patterned Ground 
a visual conversation concerning climate crisis as distillations of human history

Through Gaia Screams I remember the end. Or is it the beginning?
It’s hard to tell…  (I-VI)  
2019

Through Gaia Screams I remember the End. Or is it the Beginning? It’s hard to tell… (I); fresco on panel, 24×24″, 2019

Through Gaia Screams I remember the End. Or is it the Beginning? It’s hard to tell… (II); fresco on panel, 24×24″, 2019

Through Gaia Screams I remember the End. Or is it the Beginning? It’s hard to tell… (IV); fresco on panel, 24×24″, 2019

Through Gaia Screams I remember the End. Or is it the Beginning? It’s hard to tell… (III); fresco on panel, 24×24″, 2019

Through Gaia Screams I remember the End. Or is it the Beginning? It’s hard to tell… (VI); fresco on panel, 24×24″, 2019

Through Gaia Screams I remember the End. Or is it the Beginning? It’s hard to tell… (V); fresco on panel, 24×24″, 2019

New Work from the series Postcards and Newsprint

At Death We Forage, erasure poetry ( a form of found poetry), 2019; primary source: Werner Herzog, Of Walking In Ice, published by First University of Minnesota Press edition, 2015.
At Death We Forage

The Redactionists 
~ a deck of cards ~
2019

Primary sources: The Great Derangement by Amitov Ghosh and The Sixth Extinction by Elizabeth Kolbert. Redacting text created new verse and original imagery. Shrinking the images so that text is nearly impossible to read and positioning each horizontally, the end result becomes a form of sound imaging communicating a visual conversation about humans as catastrophists, extinctionists, and redactionists.